best songs of the 60s

With the backing of The Wrecking Crew (including the twin electric and double bass lines of Carol Kaye and Chuck Berghofer that give the track its distinctive sliding runs), Sinatra and Lee Hazelwood created a classic. Of course the six minute monster went on to become a worldwide hit and one of the most influential pieces of music of all time. Cash boosted it with the mariachi horns that give it its overriding, buoyant character. — Bonnie Stiernberg, This lead single from Sonny & Cher’s 1965 album Look at Us is a perfect pop boy-girl duet. “Dazed and Confused,” one of the lead, legendary originals from the band’s self-titled debut, however, helped lay down the groundwork for a storied decade to come. ‘Beggars Banquet’’s opener was Jagger and Richards at their finest; the former swiping bits of Baudelaire for a dance with the devil and the latter suggesting it be set to a samba rhythm. In Memory of Kitty , some of her favs from the 60s & 70 & a few from the 50s —Matt Fink, Like many of the early garage-rock standout songs, “Wild Thing” is a cover: written by Chip Taylor, New York City band The Wild Ones first recorded the song in 1965. “Blowin’ in the Wind” stood out for its brevity (rare for Dylan) and social consciousness at the beginning of the Civil Rights Movement. While any number of The Beatles’ early tracks could sit pretty in this list, ‘She Loves You’ has a taut, economic charm that wallops you upside the head and scarpers before you know what’s hit you. Perhaps it doesn’t quite get the props it deserves, but ‘Tin Soldier’ is a blistering shot of rock-soul that sounds meaty now – let alone in 1967. More than the specifics of what he did, it’s important to him that he stayed true to himself. They may have been beaten to the punch by Nina Simone and Bob Dylan, who both recorded versions of the song earlier, but it’s The Animals whose rendition dominated the hearts of listeners for decades to come. Find the latest in 60s music at Last.fm. A simple tune, not full of the vocal theatrics that he so often performed, it could easily start conversations about the Otis Redding that could have come. Trading lines with Mayfield is tenor Fred Cash, and there are strings and brass arranged by Chicago soul producer Johnny Pate to create a gorgeous love train that’s leaving today. The song, which was dressed up with over-distorted guitars, finger-flying note runs and radio-filtered hooks, brought a new focus to rock music by leaning on jazz and classical influence over the English love of blues music. Fresh from persuading Serge Gainsbourg not to release their version of ‘Je T’Aime…Moi Non Plus’, Brigitte Bardot again teamed up with the oily old goat to release this wonderfully louche, hypnotic (and occasionally tuneless) tribute to the gun-toting outlaw couple. Sorry, late ‘60s parents. By itself, it’s no more than a melancholic mood piece, but then, after a sudden transition made from harsh glissandos, it changes into what sounds like a separate song—McCartney, churning out one of the light, gorgeous melodies he seemed to summon at will. —Robert Ham, There is a reason everyone in the karaoke booth fights over covering this classic tear-jerker and if we have to tell you, well, you just wouldn’t understand. “Space Oddity” certainly feels like two or three different parts of songs melded together. And from the opening piano slide onwards introductions don’t come much better. Soul, blues, jazz, pop—put it in front of her, and she could sing it, breaking your heart on one track by sounding gritty, raw and broken before putting a big, stupid grin on your face on the next song with vocals that were smooth and pristine. It’s “Born in the U.S.A.” without the irony and misinterpretation. — Bonnie Stiernberg, The passion in frontman Levi Stubbs’ vocals is palpable, but in case you didn’t pick up on it, he drives it home with the line “You mean more to me than a woman was ever meant to be.” — Bonnie Stiernberg, If this song sounds suspiciously like a Motown rip-off, fear not. —Robert Ham, Covered by the likes of Calexico and The Damned, “Alone Again Or” was written by Love guitarist Bryan MacLean, and intended for the band’s 1965 debut. And if there’s one, prolonged moment that epitomises the spirit and feeling of the decade, it’s the summer of ’67. “As tears subside, I find it all so amusing,” he sings, “To think I did all that.” ‘Ol Blue Eyes is looking back on everything, and though things may be coming to an end and he may not have made all the right choices, he—and anyone else listening—can be proud that they’ve done it their way. Dylan’s convention-defying song announced rock ‘n’ roll would become the voice—his voice—for disaffected Boomers out to revolutionize everything they could touch. It’s also probably the first song most folks use to turn on others to the contralto singer. As they move back for one last verse with Lennon, the transition is made with Lennon drifting off into a vocal daze, druggy and gorgeous, and it all leads to that long final chord, made from three pianos and a harmonium—the perfect, haunting end to the perfect song. Penned by Motown dream-team of Holland/Dozier/Holland, Levi Stubbs sang this track with an urgency which was said to mimic Bob Dylan. Smokey Robinson was the quite the Motown mogul, becoming a VP after encouraging Berry Gordy to set up the label in the first place, then piling on hit after hit as a writer/producer and lead singer of The Miracles. Following a legal battle with his label King Records, a reinvigorated James Brown re-emerged revitalized. They were also playing what was essentially punk rock in the small town of Tacoma, Wash. one year before bands like The Seeds and the 13th Floor Elevators had done anything, three years before the Brits gave us The Pretty Things or The Deviants, and almost five years before The Stooges and MC5 blew up Detroit. A rip roaring slice of garage rock, this classic was made by Rory Erkison’s squawking vocal style and harmonica solo. From the frantic tumble of toms and urgent harmonies of the ten second intro onwards this track doesn’t mess about. A Phil Spector co-write and production, it featured his legendary ‘Wall Of Sound’ stylings. Steamy and frantic, this funky cut from 1967 debut album ‘Are You Experienced?’ is just about as pop as Jimi Hendrix ever got. Paste compiled the 100 best songs of the 1960s by whittling down a list of more than 500 songs. Pop Music Hits 60s 70s | Best Pop Songs of the 60's & 70's By Listanauta. https://www.youtube.com/watch?v=eQSGw0hMd_I. https://www.youtube.com/watch?v=K-wJNpWgss8. Even if its demarcation of “soft rock” is a bit belittling, this sing-along has endured over the decades. That Bowie makes it seem so seamless is a sign of his mastery. The Rolling Stones, “(I Can’t Get No) Satisfaction”, 33. These songs are ranked based upon their intitial and lasting popularity, as well as their influence and impact on the evolution of Rock and Roll and its sub-genres. —Robert Ham, Being of a certain age, this song will forever be cemented in my mind as the one that soundtracks Patrick Swayze and Demi Moore getting all sensual with clay in Ghost. Rather, the glinting harpsichord and lightly Eastern-influenced percussion simply nudged the door open for the group to embrace more psychedelic sounds. Marvin’s is The One, though. New York proto-hippies The Lovin’ Spoonful achieved a US No.1 with this epic, whipping up some urban heat with close, minor-chord verses before bursting free with a tingling chorus. Has disenfranchisement ever sounded as guttural, raw, and downright cool as this? “I was probably the most incorrigible child you could ever meet. ‘Cinnamon Girl’ was later covered by Smashing Pumpkins and Motörhead. Having finished an exhaustive tour of England he’d lost interest in the music game, but the creation of this track – one of his finest moments made even better with Al Kooper’s signature organ line – reinvigorated his love for music. —Kurt Suchman, “The Weight” remains The Band’s most well-known song to date, and who can complain with that? 1. Gladys Knight followed him up, while Creedence Clearwater Revival turned it into a brilliant folk rock freakout. For many, it’s the epitome of a “feel good tune” with it’s sunny backing vocals, chugging guitars and Wilson’s ecstatic vocals, so happy that he’s found “The One.”. https://www.youtube.com/watch?v=EkPy18xW1j8. Is it a half-speed electric piano? It was the lead single from the blues-rock supergroup’s third album Wheels Of Fire and sees them veering towards more expansive psychedelia, with Eric Clapton’s wah-wah guitar chattering away in the verses. Top 100 Rock Songs of the 60s and 70s - Rock music came into its own in the 60s and 70s. But the dates don’t work and there’s too much joy in this kinetic blast of a record. —Robert Ham, Ed Sullivan famously told Jim Morrison to refrain from singing the line, “Girl, we couldn’t get much higher,” before the Doors’ performance of “Light My Fire” on his show on live television in 1967. The Top 100 Songs of the '60s show list info. Author: Clarkone68. Otis Redding, “(Sittin’ On) The Dock of the Bay”, 17. Co-written by then Manfred Mann singer – and also writer of ‘Handbags And Gladrags’ – Mike D’Abo, ‘Build Me Up Buttercup’ is still a ubiquitous wedding and movie soundtrack favourite 40-odd years on. This cover of an old Pete Seeger tune was one of the many hits off the trio’s self-titled 1962 debut album. “Please allow me to introduce myself / I’m a man of wealth and taste”. It would be years before the band finally stepped out of their borderline-derivative blues-meets-rock fusion. — Zach Blumenfeld, Jazz has a supernatural presence when crafted correctly. This article is an in-depth perspective of the best rock songs of the 60s and 70s. Rank Song Title Song Artist Year Genre; Top songs of the 1950's is updated by the minute by Gigbuilder - The world's most popular Event Management System. Try to listen to this song, even in our current cynical and overstretched times, and remain unmoved or unemotional. Though hailing from Hitsville U.S.A. in Detroit, the song has been covered by everyone from The Beatles to The Carpenters to The Saturdays. https://www.youtube.com/watch?v=pkae0-TgrRU. The Sonics were uglier, louder and scarier than anything that had floated this way during the British Invasion. More Holland Dozier Holland action with a song first earmarked for Motown labelmates The Marvelettes, who turned it down. A chart-topper on both sides of the Atlantic, the signature tune of Michigan-born rock’n’roller Del Shannon is instantly memorable for its “wah-wah-wah” vocal hook and the pizzicato rises and falls played by Shannon’s sidekick Max Crook on his Musitron or clavioline, a primitive synthesiser that also makes a distinctive appearance on The Tornados 1962 Joe Meek-produced No.1 ‘Telstar’. There were points during that time when, despite the ire of rock ‘n’ roll hipsters, the so-called pre-fab four outsold their Liverpudlian predecessors, thanks in large part to the bouncing pop of 1966’s single “I’m A Believer.” Ultimately, The Monkees enjoy a kind of iconic pop culture status both because of and in spite of the unusual and even existential way the group came to be. We recommend you to check other playlists or our favorite music charts. Simon & Garfunkel, “The Sound of Silence”. Yet another sterling pop track based on a dysfunctional relationship, Elvis’ final Number One was initially a flop for another songwriter, Mark James. This sped up live version is one of the all-time great performances. From the hit machine and conveyor belt of in-house stars produced by Motown to the burgeoning, melon-twisting dawn of psychedelia, it was a decade of exploration and experimentation. In other words, it’s a perfect approximation of the rapid heartbeat and soaring emotions of someone in love. Including rock ‘n’ roll, itself. This song in particular, the first song off 1966’s album of the same name, was an especially soulful and successful example of their musical spark. Discover more music, concerts, videos, … The 1960s are often considered the best decade for music in America. Pop music felt its soul. One of George Martin’s few purely musical contributions to the Beatles canon adds a strange, but successful, touch to John Lennon’s understated piece of whimsy about his childhood – in Lennon’s view, the most mature piece he’d written by that point. Is there a track in the world as gloriously filthy as this? Provenance aside, this intense brooder sees Page bowing his guitar as Robert Plant simmers with Black Country lust. By the time MacLean completed it, though, Love was already working on their seminal 1967 record Forever Changes. Phil Ochs, the Texan-born singer, self-described social democrat, and revolutionary, epitomized this. Turn! Back in 2008, Diamond told us the history of the song, written for John F. Kennedy’s daughter Caroline: “It was her birthday and her husband [Edwin Schlossberg] called up and said, “Neil, could you sing happy birthday to Caroline?” I agreed to do it so we set up a cross-country satellite thing in my little studio here in LA. —Mark Lore, Stevie Wonder wrote the music for this song, but he went to Robinson for help with the lyrics. Priority's Chart Toppers series is an excellent budget-line collection, offering a strong selection of 15 original hits, grouped by a specific theme and decade, on each disc. The Stax house band found themselves with an iconic record themselves here, a simple 12-bar blues that thrives on in-built cool. Less breaking boundaries than headbutting them into submission, the MC5 exploded into a clueless ’69 with their debut album of the same name, and this nitrous calling card would stamp firm their legacy forever. Whether she stuck around is hazy, but – after Berry Gordy requested the tempo be raised – The Supremes bagged a fourth US No.1 with the song as Diana Ross gave it her beseeching all. Mid-1967, as the Summer Of Love approached, and The Small Faces’ got ready to meet their Nice, over the pond the Velvets were tripping up to Harlem to score $26 worth of smack. Written to woo singer Steve Marriott’s future wife Jenny Rylance, it was offered to PP Arnold who declined but turned up to the Small Faces’ sessions to add fire and ballast to the chorus. —Kurt Suchman, The early days of rock music found its many stars and wannabe stars digging through the treasure trove of folk and blues for inspiration. 1 to the equally conjugal boundary setting “Don’t Come Home A’Drinkin’ (With Lovin’ On Your Mind),” it cemented her no-mess reputation with a song that’s been covered by Pistol Annies, Johnny Paycheck, Nanci Griffith/Eilen Jewell/Kelly Willis* and the Little Willies. — Bonnie Stiernberg 28563, Aretha Franklin was originally offered a chance to record “Son of a Preacher Man” but turned it down, leaving it to become British pop diva Dusty Springfield’s trademark song. The rhythmic ground is so dependable that once, when lying on a cliff overlooking the Long Island Sound, not so far from where Walt Whitman did it, I thought I heard the earth turning beneath my head and it reminded me of—of all things—the Byrds. The electric guitar’s role in rock music would never be quite the same. It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. One of many Lynn songs banned for their candor, the Kentuckian singer lobs a perky opening salvo at the bigmouth homewrecker. It’s become a virtue. View (or listen) to the best hits from the '60s here! Misery never sounded so good. https://www.youtube.com/watch?v=g9PYPvMz-Wc. Their turbulent domestic life (Tina accused Ike of being an abusive husband) has overshadowed their legacy, but there’s no denying the electricity the two had on stage. —Robert Ham, The Hollies, one of the more underrated groups to come from the British Invasion, finally broke through in America with this chirpy 1966 single that charmingly tells the tale of finding love while waiting for public transit. The swinging 60s might be more than half a century ago now, but their revolutionary impact still remains to this day. Tragic storytelling at its succinct best. They were signed up by Wayne Bickerton – later the svengali behind The Rubettes – and, after some near misses, clocked up a minor hit with this dramatic slice of Northern Soul, a Top 40 entry back in their native States. Dave Davies’ lilting guitar chords corralled the tale of “Terry and Julie” (Terence Stamp and Julie Christie) and future histories yet to be written with a waltz-like grace and a timeless charm. Here are the 100 best songs from the ‘60s. ‘Dance To The Music’ is a day-glo riot of pulsating horns, fuzzed-up guitars and zany organ, dressing up what’s essentially an “introducing the band” mid-concert jam. —Robert Ham, “Good Vibrations” was Brian Wilson at his best, before he became his worst—a brilliant demonstration of what The Beach Boys may have done before mental illness derailed their frontman’s career soon after this song became released. When creating a list of the best love songs of the 1960s, we also wanted to consider which songs are still prevalent in today’s era – timeless. With its gentle jangle and angelic harmonies this track set the template for all future alt-country jams. Crosby, Stills & Nash, “Wooden Ships”, 49. https://www.youtube.com/watch?v=E2VCwBzGdPM. Before there was a mainstream feminist movement, Loretta Lynn was tackling the hardcore throw-down. Nancy Sinatra, “These Boots Are Made For Walkin’”, 96. Chip Taylor – brother of US actor Jon Voight – wrote ‘Wild Thing’, which was originally recorded by The Wild Ones. Folk enjoyed a political revival, yet, the British Invasion was blessedly not political. Find 60s tracks, artists, and albums. But it was Hampshire rockers The Troggs who made a proper go of it, detuning the guitars, throwing in an ocarina solo and attacking it with Reg Presley’s growling bravura – all in the service of grabbing a US No.1 single. Stills and David Crosby wrote the song with Jefferson Airplane’s Paul Kantner and both bands released the song in 1969 as the Vietnam War reached its hopeless peak. Based on the counter-culture novel by Leopold von Sacher-Masoch, the VU’s tale of S&M curdled with its own bedraggled charm, thrusting forth with John Cale’s droning viola and Lou Reed’s dully ceremonial vocal. Mellow as yellow custard, folk-rock supergroup Crosby, Stills and Nash’s ‘Wooden Ships’ hides its anti-war message in plain sight, drifting by on noodly guitars, caressed by Stephen Stills’ delicate organ-playing. Is it a harpsichord? https://www.youtube.com/watch?v=3jbdw43yvTY. / With no direction home,” quickly became prophetic to them. —Paul Williams, “Wooden Ships” is a staple from Crosby, Stills & Nash’s eponymous debut album from 1969. In the meantime he hepped up his riff with a fuzzbox to keep it warm until the real players came along. That is, the Byrds’ music has that sort of dependable self-energizing kineticism. She was thrilled. If you enjoyed listening to this one, maybe you will like: 1. “”Some things we fudged on slightly to make it rhyme, but the majority of it’s pretty accurate, I guess,” Haggard told NPR of the song in 2010. Hammond organs, Milton-inspired lyricism (“trip the light fandango”) and nods to Bach might not seem the perfect recipe for a hit, but 1967 was a more forgiving place than 2012, and Procul Harum’s debut single was a mega, mega hit. This classic Otis Redding cover is not only one of the best Aretha tracks, but also one of the best songs of all time. Everyone from Blur to The Libertines owes a reasonable debt to this slice of wistful British storytelling. But even if this 1963 single should actually just be taken at face value, “I Want To Hold Your Hand” exemplifies the era’s joyful pop rock, noted by kitschy handclaps, a swinging backbeat and perfect Fab Four harmonies. The Animals, “House of the Rising Sun”, 26. Such a great cover of the Dylan classic that Bob himself tweaked his own version upon hearing it, Jimi’s guitar epic had a slow and painful gestation period. Phil Ochs, “I Ain’t Marching Anymore”, 52. https://www.youtube.com/watch?v=KnDm3qr1Knk. The Mamas & the Papas, “California Dreamin’”, 51. A hymn-like universal anthem which King penned with songwriting legends Leiber and Stoller, that was not only later to be covered by Jimi Hendrix but also used for the classic coming of age film of the same name and would become a by-word for 50s nostalgia. And who doesn’t inadvertently clap along to that middle section? I said “hi” to Caroline, said a few words, and then I told her the story about how the song title came from a photo I’d seen of her and her little pony. The iconic chorus features Diana Ross, Florence Ballard, and Mary Wilson all singing in unison, throwing up choreographed hand gestures that undoubtedly inspired the wrist-twisting of Beyoncé’s “Single Ladies (Put A Ring On It.” —Hilary Saunders, Well, lemme tell ya now: With that piano slide and a bassline that just can’t be beat, this one’s a shoe-in. And if you had to distill the entire ten years’ worth of musical endeavour into one album, it would be The Beatles’ ‘Sgt Pepper’s Lonely Hearts Club Band’. Top 20 1960s Love Songs, 60s Music . —Hilary Saunders, Almost 50 years since the release of Big Brother and the Holding Company’s cover of “Piece of My Heart” and still no one can wail like Janis Joplin. Martha and the Vandellas, “Dancing in the Street”, 44. 2 and No. Spitting the lyrics with a bit too much realness, the music spins into a frenzied “high” aided by Moe Tucker’s jiggling percussion and John Cale’s freakish viola. Two and a half minutes of world class pop later and it’s gone, but in your head forever. But within the band’s own history, “Crimson and Clover” served as the turning point for more conceptual work. — Bonnie Stiernberg, This 1964 single maybe have been the last time Roy Orbison reached the top of the charts in the U.S., but the impact it had on the pop music world was marked. And over which, Dylan’s strange lyrics seem triumphant, yet also full of warning, as his unglamorous voice brimming with attitude, holds onto syllables as if they were gleeful riders on a hurtling-downward roller-coaster. In 1968, “Fist City” was a revolution—a woman with no shame taking care of what’s hers. The very concept of the song (“California dreamin’ on such a winter’s day”) is evocative; but it is the execution of the song that makes it a masterpiece. When R&B legend, pianist, singer, and songwriter Ray Charles covered this old tune from the ‘30s, it leapt to the top of the charts in 1960. In the end this just missed out on the UK top spot to The Beatles’ ‘Help!’. https://www.youtube.com/watch?v=ZX0CfFdk-jw. —Hilary Saunders, Girl-group perfection, this song took The Marvelettes to the top of the charts right out of the gate. While blues singers Irma Thomas and later Koko Taylor were howling “You Can Have My Husband (But Please Don’t Mess With My Man),” Lynn drew a line in the sand around her catting around lesser half Doolittle “Mooney” Lynn. Find album reviews, stream songs, credits and award information for 100 Greatest 50s & 60s Hits - Various Artists on AllMusic - 2011 The opening lick over the quick bass/snare drum combo is instantly recognizable. In this performance from 1973—the first time the trio had performed together in years—their harmonies are ragged and the delivery unrehearsed, but regardless, just having these musicians playing together again, and more importantly, obviously enjoying it, was a cause for celebration. Love is right when it’s simple, and it is in the simplicity of “Be My Baby” that makes it so ingenious. The Righteous Brothers, “Unchained Melody”, 97. “I Got You (I Feel Good)” is his highest-charting single, though, lead by Brown’s squeals, yelps, and shaking hips. 3,996 100 Ultimate List of Isekai Anime. Although its chart performance was modest, the song has deservedly been covered on countless occasions by everyone from Jimmy Somerville to Leonard Cohen. Released at the butt end of the 60s, Jagger and Richards captured the changing moods of the time, as race riots, Charles Manson and Vietnam had soured the hippie dream. —Laura Stanley, The King of Soul was known at times as a gospel prodigy, a pop star, and a stirring soul singer, but with this song, he cemented his place as a voice in the Civil Rights Movement. Technically, “Crimson and Clover” was one of the first songs recorded on a 16-track tape, and Tommy James’ use of tremolo foreshadowed much of the acid rock and psych rock to follow. “Like a Rolling Stone”’s refrain, “How does it feel / To be on your own? Gothic before “goth” existed. By the time The Kingsmen came to record their version ‘Louie Louie’ was already a firm cult classic. —Robert Ham, The 1965 single cut of “Papa’s Got A Brand New Bag” became a smash because of James Brown’s introduction of funk elements. There’s a man with a gun over there, telling me I’ve got to beware. —Mark Lore, The Kinks’ 1964 breakthrough hit is widely (and rightly) considered an all-time great. Laughing Len once sang in a honey-smeared pop register before trilbies and dodgy accountants had taken their toll. It’s like listening to a smile, and no matter how many cheesy romantic comedies it soundtracks, that never gets old. Little Stevie Wonder, “Fingertips Part 2”, 92. “I Ain’t Marching Anymore” criticizes America’s futile Vietnam invasion with zing and zest over quick acoustic strumming in the tradition of folk heroes like Pete Seeger and Woody Guthie. On which pounding drums, Jagger drawl and the first sitar to feature on a Number One record combine for an indie disco favourite for now and all time. In honor of Billboard magazine's 120th anniversary on Nov. 1, we're revealing the top 20 Billboard Hot 100 hits from each decade since the 1960s (for a total of 120 songs… —Robert Ham, It’s hard to think of any one record that has influenced an entire genre as much as the 13th Floor Elevators’ seminal debut The Psychedelic Sounds of the 13th Floor Elevators influenced the future of psych rock. However, whether he liked it or not, “Brown Eyed Girl” has since become his reluctant calling card, the one Van Morrison song everyone seems to know about due to its firm place on classic rock radio, its appearance in such acclaimed films as The Big Chill and Born on the Fourth of July and the fact its a song in regular rotation in the iPods of no less than two American presidents. “There’s something happening here; what it is ain’t exactly clear. “My Way” is both melancholic and uplifting, not afraid to confront emotion. Imagine how racy this was in 1960, with a young girl considering whether to get it on with her boyfriend in an age of prurience yet to be wholly swept away from rock’n’roll. The Beatles, “I Want to Hold Your Hand”, 41. Not released as a single until 2004, ‘River Man’ was, in the troubled Nick Drake’s eyes, the centrepiece of his debut album ‘Five Leaves Left. —Dacey Orr, As much as we love David Bowie and Mick Jagger, the fact that their ridiculous cover of this has nearly twice as many YouTube views as the classic original is an absolute crime. The world's defining voice in music and pop culture since 1952. By Jimmy Webb ( who also wrote ‘ Galveston ’ ), this was another tale blue-collar... Right out of their borderline-derivative blues-meets-rock fusion jazz, so there 's a lack of on... 1967 album ‘ Forever Changes ’ was almost not on it at.... Was already working on their seminal 1967 record Forever Changes ’ was later by. Paul and Mary, “ Respect ” is the consummate example of how their! Ike & Tina Turner, “ Everyday People ”, 44 Etta James was one of those rare singers absolutely... And Carole King, “ California Dreamin ’ ”, 30 is the group ’ s well-known... 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